b. 2001, Brooklyn.

Lindsay began working on videos at age 7 and began broadcasting herself around 10. Her relationship with the internet stretched and vigorously condensed her understanding of time.

Her practice serves as an anxious investigation of time and self-manipulation in the name of control. Feeding on the universality of “the body” and the contradictory hyper-individualism that title holds, the body is centered as a conceptual anchor.

Lindsay’s work asks the viewer to consider ourselves completely inseparable from the objects we utilize: from toilets to roku remotes. What happens once one is of the same importance as the objects expected to serve them?

Cement, resin, and silicone transfused with urine, blood and hair to conceal the raw, carnal material and highlight our digital absurdity.

Lindsay’s work seeks to archive and dignify the abject, to catalog the passage of time. Through the viewers’ apprehension to look at, be near, or touch the work, we might consider where “a body” may end, if ever. Though these are universal byproducts of being alive, our hyper individuality leads us to believe there is something shameful about our fluids.